Brenda Croft

2023

Naabami (thou shall/will see): Barangaroo (army of me), projection for ‘Dyin Nura (Women’s Place)’, Old Government House, Parramatta Park, Sydney Festival 2023

Croft, B., 2023

Research output: Non-textual form › Physical Non-textual work

Naabami (thou shall/will see):Barangaroo (army of me) at Barangaroo Precinct, Sydney Festival 2023

Croft, B., 16 Jan 2023

Research output: Non-textual form › Physical Non-textual work

2021

Kurrwa (stone tool/axehead) to Kartak (container, cup, billycan, pannikin): hand-made/held-ground. An enduring, collaborative, practice-led research journey representing a distinct Australian First Nations Storying/Storywork and First Nations Performative Autoethnography as subalter/N/ative archive and methodology – created from the rememorying, re/imagined standpoint of a Gurindji | Malngin | Mudburra | Anglo-Australian | Chinese | German | Irish woman

Croft, B., 2021, Sydney: UNSW. 280 p.

Research output: Thesis › Doctoral thesis

Open Access

2020

Canberra from Red Hill, 1959, (Dorothy Jean Stone), #28 from the series, Made in Australia II, 2018 Inkjet print on archival paper

Croft, B., 2020

Research output: Non-textual form › Physical Non-textual work

"For the children...": Aboriginal Australia, cultural access, and archival obligation

Croft, B., Toussaint, S., Meakins, F. & McConvell, P., 2020, Archival Returns: Central Australia and beyond. L. B. J. G. . P. V-M. (ed.). 1st ed. Hawai: University of Hawaii Press, Vol. 1. p. 173-191

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

2019

hand/made/held/ground

Croft, B., Nov 2019

Research output: Non-textual form › Physical Non-textual work

2018

Blackwoman

Croft, B., 2018, Online publication : n/a.

Research output: Other contribution

Grounded (red, black, white), triptych

Croft, B., 2018

Research output: Non-textual form › Physical Non-textual work

Missing

Croft, B., 2018, Manila City, Philippines & Brooklyn, NY, USA

Research output: Other contribution

Revolutionize me (and you, and you, and you)

Croft, B., 2018, Canada.

Research output: Book/Report › Textual Creative Work

Still in my mind: Gurindji location, experience and visuality

Croft, B., 2018, Feminist Perspectives on Art : Contemporary Outtakes. J. M. C. M. (ed.). 1st edition ed. UK: Routledge, Taylor & Francis Group, Vol. 1. p. 69-78pp

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

The Instability of Truth: Aspects of Developing a Specific Indigenous Methodology on Experimental Practice-Led Research

Croft, B. L., 1 Mar 2018, In: Visual Anthropology Review. 34, 1, p. 15-26 12 p.

Research output: Contribution to journal › Article › peer-review

2 Citations (SciVal)

2017

blood/type

Croft, B., 2017

Research output: Non-textual form › Physical Non-textual work

home/lands

Croft, B., 2017, Brisbane, Queensland.

Research output: Book/Report › Textual Creative Work

Still in my mind: Gurindji location, experience and visuality - Exhibition

Croft, B., 2017

Research output: Non-textual form › Hosted Exhibition or Event

2016

Retrac(k)ing country and (s)kin: walking the Wave Hill Walk Off Track (and other sites of cultural contestation)

Croft, B., 2016, Westerly, 61.1, p. 76 - 82.

Research output: Contribution to specialist publication › Article

Say my name

Croft, B., 2016, The Artist as Curator. J. L. (ed.). 1st edition ed. Chicago, USA: University of Chicago Press, Vol. 1. p. 115 - 132

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

shut/mouth/scream

Croft, B., 2016

Research output: Non-textual form › Physical Non-textual work

Signs of the Times

Croft, B., 2016, The Intervention: An anthology. R. S. . A. H. (ed.). 2nd ed. Sydney, Australia: NewSouth Publishing (an imprint of University of New South Wales Press), Vol. 1. p. 162-178

Research output: Chapter in Book/Report/Conference proceeding › Chapter

2015

Still in My Mind: An Exploration of Practice-led Experimental Research in Progress

Croft, B., 2015, In: Cultural Studies Review. 21, 1, p. pp.230-248

Research output: Contribution to journal › Article › peer-review

2014

Self-portraits on country, 2014

Croft, B., 2014

Research output: Non-textual form › Physical Non-textual work

Wave Hill/Victoria River Country

Croft, B., 2014

Research output: Non-textual form › Physical Non-textual work

2011

Sell-abrasion of our nations

Croft, B., 2011, In: Artlink. 31, 2, p. 46-49

Research output: Contribution to journal › Article › peer-review

2007

Cannot buy my soul

Croft, B., 2007, Culture Warriors: National Indigenous Art Triennial. D. C. S. J. (ed.). 1 ed. Canberra, Australia: National Gallery of Australia, Vol. 2. p. x-xxvii

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

To be young (at heart), gifted and blak: the cultural and political renaissance of Indigenous art in Australia

Croft, B., 2007, One Sun, One Moon: Aboriginal Art in Australia. H. P. A. M. W. (ed.). 1st ed. Sydney: Art Gallery of New South Wales, Vol. 1. p. 285-292

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

2006

Meeting, Not Colliding

Croft, B., 2006, Meeting, Not Colliding. E. K. G. (ed.). USA: Smithsonian National Museum of the American Indian, p. 68-75

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

2004

What about the dots and circles?! The children need them!

Croft, B., 2004, Making a noise! : Aboriginal perspectives on art, art history, critical writing and community. L-A. M. (ed.). Canada: The Banff International Curatorial Institute, in association with Walter Phillips Gallery, The Banff Centre, p. 108 - 127

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

2003

Representing the figurative

Croft, B. & Jenkins, S., 2003, Tactility: Two Centuries of Indigenous Objects, Textiles and Fibre. B. L. C. (ed.). Canberra: National Gallery of Australia, Vol. 1. p. 12-17

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Textiles and Tactility

Croft, B., 2003, Tactility: Two Centuries of Indigenous Objects, Textiles and Fibre. B. L. C. (ed.). Canberra: National Gallery of Australia, Vol. 1. p. 19-20

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

2002

Laying ghosts to rest

Croft, B., 2002, Colonialist Photography: Imag(in)ing Race and Place.. E. M. H. G. D. S. (ed.). 1 ed. London UK; New York, USA: Routledge, Vol. 1. p. 20-29

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

2001

Albert's Gift

Croft, B., 2001, Indigenous Art: Art Gallery of Western Australia **. B. L. C. (ed.). Perth, Western Australia: Art Gallery of Western Australia, Vol. 1. p. 76-93

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

1999

Boomalli: from little things big things grow

Croft, B., 1999, Painting the Land Story. T. L. (ed.). 1st ed. Canberra: National Museum of Australia Press, Vol. 1. p. 95-118

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

1995

Boomalli Aboriginal Artists Co-operative

McGrath, A., Perkins, H. & Croft, B., 1 Nov 1995, In: Labour History. 69, p. 217-230 14 p.

Research output: Contribution to journal › Comment/debate › peer-review

Prof Brenda Croft

Research output

Search results