Research output per year
Research output per year
Convenor, Higher Degrees by Research, School of Art and Design; Associate Professor, Centre for Art History and Art Theory
Research activity per year
MA (Fine): MSU, Baroda; PhD: ANU, Canberra
Modern and Contemporary Art in Asia
Art and nationhood; art practice and belonging
Transnational and cosmopolitan histories of art
Contemporary art's relationships with traditional practice
Art, architecture and urbanity
Chaitanya Sambrani is an art historian and curator working on modern and contemporary art in Asia, especially in relation to tradition, marginality and politics. Chaitanya teaches courses on modernism and contemporary art in India, Indonesia, China and Japan, and on art, design and urbanity. His major curatorial projects include Edge of Desire: Recent Art in India (shown at museums in Australia, USA, Mexico and India over 2004-07); Place.Time.Play: Contemporary Art from the West Heavens to the Middle Kingdom (the first contemporary art exchange between artists from China and India, Shanghai, 2010); To Let the World In: narrative and beyond in contemporary Indian art (Art Chennai Festival of Art, 2012) and All that Arises, a mid-career survey of the work of Lao-Australian artist Savanhdary Vongpoothorn (Canberra, 2019). He is principal author and editor of At Home in the World: the Art and Life of Gulammohammed Sheikh (2019), and is currently working on a monograph on the Riding Rocinante project of Tushar Joag (1966-2018) addressing water rights and futures across India and China. He leads the interdisciplinary digital project The "Wonders" that Basham Saw, analysing the visual archives of Professor A.L. Basham, in collaboration with colleagues at ANU, the National Gallery of Australia, National University of Singapore and the Ashmolean Museum, University of Oxford.
As Convenor of Higher Degrees by Research, Chaitanya oversees the MPhil and PhD program at the School of Art and Design. He is also the Convenor of the research hub Asia: Innovation and Transformation at the School. A member of the ANU's South Asia Research Institute (SARI), he served as the Instutites's Deputy Director in 2018-19. In 2019, he was nominated Honorary Professor at the Fakultas Seni Rupa dan Desain (Faculty of Visual Art and Design) at the Institut Teknologi Bandung, and in 2022 was awarded 'Ganesa Widya Jasa Utama' by that institution. He serves as Curatorial Advisor at the Art Gallery of New South Wales, Sydney. Chaitanya co-founded the Australasian Network for Asian Art (an4aa.org), and was a member of the Network's inaugural Coordinating Group (2020-2023).
Gillian Daniel (Art History and Curatorship) "Topographic Imaginaries: Envisioning the Natural World in the Straits Settlements" (Chair and Primary Supervisor)
Lucy Irvine (Sculpture and Spatial Practice), "Emergent Knowledge Practices: Interweaving new spatial, material and relational strategies for pedadogical and interdisciplinary research" (Chair of Panel)
Lolita Manukian (Art History and Curatorship) "The Motherland: Women Myth and Power in Art and Visual Culture" (Chair and Primary Supervisor)
Shanti Shea-An (Painting, 2024), “Reading/Painting: A Practice-led Inquiry into Textuality, Legibility, and Translation in Contemporary Painting” (Associate Supervisor)
Soo-Min Shim (Art History and Curatorship, 2024) "Borders and Belonging: New visions of relationality and community by contemporary Korean artists in Australia and New Zealand" (Chair and Primary Supervisor)
Lucie Folan (Art History and Curatorship, 2024), "Manifestations of Merit: tracing the history, creation and meaning of Jain sacred-site images (tirtha pata)" (Chair and Primary Supervisor)
Jeremy Lepisto (Sculpture and Spatial Practice, 2023),"Containers of Consequence: The shipping container and its unintended deliveries" (Chair and Primary Supervisor)
Bec Bigg-Wither (Photomedia, 2023), "Air to Ground: Apollo 11's Fiftieth Anniversary"
Francis Kenna (Art Theory and Printmedia, 2021), "Feeling Spaces: grounding the body through architectural atmosphere".
Phil Page (Painting, 2018) "The Form and Content of European Cities as Paintings"
Safrizal Shahir (Printmedia, 2017), "Gravestones as mirror: a visual discourse on Batu Aceh"
Fiona Peng Qian (Ceramics, 2016) "A Site for Hybrid Practice: Between Traditional Culture and Contemporary Ceramic Art"
Ian Jones (Art Theory and Ceramics, 2016), "Wabi-cha and the Perception of Beauty in Japanese Ceramics"
Tim Thomas (Photomedia, 2014) "The Articulation and Rearticulation of Space in the Photographic Paradigm"
Robert Guth (Photomedia, 2012) "Engaging audiences to value and invest in participatory art practice through reciprocal and relational interactions"
Nicola Dickson (Painting, 2010) "Wonderlust: the influence of natural history illustration and ornamentation on perceptions of the exotic in Australia"
Johanna Hoyne (Sculpture, 2009) "Commitment, Devotion and Belonging in the World with particular reference to the work of two Indian contemporary artists"
Heather Burness (Printmedia, 2004)
Art History and Curatorship, PhD, Nation-Tradition-Modernism: Indian Art in the 20th Century, The Australian National University
Award Date: 12 Jul 2006
Curatorial Advisor, School of Oriental and African Studies
12 May 2024 → 15 Aug 2025
Curatorial Advisor, Art Gallery of New South Wales
10 Aug 2020 → …
Honorary Professor, Institute of Technology Bandung (ITB)
28 Nov 2019 → 31 Dec 2020
Research output: Contribution to journal › Article › peer-review
Research output: Book/Report › Textual Creative Work
Research output: Chapter in Book/Report/Conference proceeding › Chapter
Research output: Non-textual form › Hosted Exhibition or Event
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Sambrani, C., Ashar, M., Burchmore, A., Lethbridge, S. & Whitelaw, M.
1/11/19 → 31/12/24
Project: Research