Gillian Daniel (Art History and Curatorship) "Topographic Imaginaries: Envisioning the Natural World in the Straits Settlements" (Chair and Primary Supervisor)

Lolita Manukian (Art History and Curatorship) "The Motherland: Women Myth and Power in Art and Visual Culture" (Chair and Primary Supervisor)

Completed research supervisions

Lucy Irvine (Sculpture and Spatial Practice, 2025), "Emergent Knowledge Practices: Interweaving new spatial, material and relational strategies for pedadogical and interdisciplinary research" (Chair of Panel, previously Primary Supervisor)

Shanti Shea-An (Painting, 2024), “Reading/Painting: A Practice-led Inquiry into Textuality, Legibility, and Translation in Contemporary Painting” (Associate Supervisor)

Soo-Min Shim (Art History and Curatorship, 2024) "Borders and Belonging: New visions of relationality and community by contemporary Korean artists in Australia and New Zealand" (Chair and Primary Supervisor)

Lucie Folan (Art History and Curatorship, 2024), "Manifestations of Merit: tracing the history, creation and meaning of Jain sacred-site images (tirtha pata)" (Chair and Primary Supervisor)

Jeremy Lepisto (Sculpture and Spatial Practice, 2023),"Containers of Consequence: The shipping container and its unintended deliveries" (Chair and Primary Supervisor)

Bec Bigg-Wither (Photomedia, 2023), "Air to Ground: Apollo 11's Fiftieth Anniversary" (Associate Supervisor)

Francis Kenna (Art Theory and Printmedia, 2021), "Feeling Spaces: grounding the body through architectural atmosphere" (Chair; Chair and Primary Supervisor)

Phil Page (Painting, 2018) "The Form and Content of European Cities as Paintings" (Associate Supervisor)

Safrizal Shahir (Printmedia, 2017), "Gravestones as mirror: a visual discourse on Batu Aceh" (Associate Supervisor)

Fiona Peng Qian (Ceramics, 2016) "A Site for Hybrid Practice: Between Traditional Culture and Contemporary Ceramic Art" (Art Theory Supervisor)

Ian Jones (Art Theory and Ceramics, 2016), "Wabi-cha and the Perception of Beauty in Japanese Ceramics" (Chair and Primary Supervisor)

Tim Thomas (Photomedia, 2014) "The Articulation and Rearticulation of Space in the Photographic Paradigm" (Associate Supervisor)

Robert Guth (Photomedia, 2012) "Engaging audiences to value and invest in participatory art practice through reciprocal and relational interactions" (Associate Supervisor)

Nicola Dickson (Painting, 2010) "Wonderlust: the influence of natural history illustration and ornamentation on perceptions of the exotic in Australia" (Art Theory Supervisor)

Johanna Hoyne (Sculpture, 2009) "Commitment, Devotion and Belonging in the World with particular reference to the work of two Indian contemporary artists" (Art Theory Supervisor)