Personal profile
Biography
Christina is an art historian with over two decades’ experience as a practicing metalsmith. Her research centres on historical and archaeological metal material culture, with a specific focus on the artisanal processes involved in the production of metal items from the dawn of metallurgy to the early twentieth century. Her research has covered such diverse topics as the production of metal vessels in Bronze Age Greece, metalworking in the Greco-Roman world and Pre-Columbian Peru, the production of medals and silver furniture for Louis XIV, metal industries in Enlightenment France, nineteenth-century Australian silverware, and Arts and Crafts jewellery and metalwork in Britain and Australia. Her research is methodologically interdisciplinary, incorporating artisanal practice, archaeological and archival materials, material culture approaches and digital humanities.
Education
Christina completed undergraduate degrees in Classical Studies (Latin, Greek and Ancient History) and in Visual Arts (gold-and silversmithing) at ANU, where she also completed a Masters in Art History and Curatorial Studies (Advanced) and a PhD. Her doctorate research was a practice-led archaeological study into the fabrication of metal vessels in Minoan Bronze Age Crete, which later became her first book, The Manufacture of Minoan Metal Vessels: Theory and Practice (Astrom Editions, 2013). Her Masters research into the chaîne opératoire of the production of silver furniture produced for Louis XIV between 1666 and 1689 is currently in press.
Career
Christina has worked across higher education and the GLAM sector (galleries, libraries, archives, and museums). Over several years at the National Gallery of Australia, she held roles as an Assistant Archivist working on the preservation and description of Australian artists’ archives and documentation, as a volunteer Curatorial Assistant in Australian and International Decorative Arts and Design, and as a volunteer Assistant Conservator of objects. She has also worked as a Metal Fabricator and has taught community education courses in making silver jewellery. She is the Project Administrator for the Australian Research Council Discovery Project Performing Transdisciplinarity and co-editor of the digital critical edition of Jean-Benjamin de Laborde’s eighteenth-century illustrated songbook Choix de chansons, which resulted from this project. She has been awarded with a number of research fellowships and awards, most recently as Endeavour Research Fellow at the Voltaire Foundation, University of Oxford, in 2018.
Christina is a recipient of the 2021 ANU Vice-Chancellor’s Award for Teaching Excellence and the 2020 ANU College of Arts and Social Sciences Dean’s Commendation for Excellence in Teaching.
Qualifications
BA BA(Visual)Hons MAHCS(Advanced) PhD
Research Interests
Early modern art and material culture, history of metals, history of design, decorative arts.
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(Re-)Making from the Archive: Thinking about Process and Using Practice as Art Historical Methodologies
Clarke, C. & deCourcy, E., 2021.Research output: Contribution to conference › Paper
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BLOG - 'Peaceful' Minoans, 'Warlike' Mycenaeans and their Precious Metal Vessels: A Reassessment of a Tired Cliche
Aulsebrook, S. & Clarke, C., 2020, OnlineResearch output: Other contribution
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Choix de Chansons: a digital critical edition
Clarke, C., Cronk, N. E., Helyard, E., van Gelder, P., McMahon, P., Moore, A., Ledbury, A. M., Roe, G. & Wellington, R., 2020Research output: Non-textual form › Web-site Based Work
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Collaborative Artisanship: Medals and Louis XIV's Royal Mint
Wellington, R. & Clarke, C., 2020, In: Historical metallurgy. 54, 1Research output: Contribution to journal › Article › peer-review
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The Manufacturing Network of Louis XIV's Silver Furniture
Clarke, C., May 2020, London, UK: Furniture history society newsletter. 2 p.Research output: Book/Report › Textual Creative Work