Personal profile
Biography
Keren Hammerschlag is the Director of the Centre for Art History and Art Theory in the School of Art and Design at ANU. Her research focuses on nineteenth-century British art and visual culture, and the many intersections and frictions between art and medicine during the Victorian and Edwardian periods. She convenes the CAHAT Art History and Curatorial Studies Major and Minor, and is on the steering committee of the ANU Health Humanities Network.
In 2010 she received her PhD in Art History from the Courtauld Institute of Art, University of London. From 2010-2013 she was a Wellcome Postdoctoral Research Fellow in the Centre for Humanities and Health at King's College London. From 2013-2018 she taught in Art History and Women's and Gender Studies at Georgetown University in Washington, D.C. She was one of the founders of Georgetown's first Disability Studies Minor and served as Assistant Director of the Center for Jewish Civilization from 2016-2018.
In 2015 she published her first monograph, 'Frederic Leighton: Death, Mortality, Resurrection' (Ashgate), which offers a macabre counter-biography of the President of the Victorian Royal Academy, Frederic Lord Leighton. She has published journal articles on art and religion in the Victorian period, colour and whiteness, gender and Jewishness, race in nineteenth-century anatomical illustration, medical portraiture, and medical and artistic looking. In 2021 she received an ANU Futures Scheme Award for work in the Visual Medical Humanities.
Her recent book, 'The Chosen Race: Troubling Whiteness in Victorian Painting' (University of California Press, 2026), offers the first account of the representation of racial supremacy, racial difference and racial indeterminacy in paintings produced in England during the reign of Queen Victoria.
Qualifications
BArtTH Hons. (UNSW), MA, PhD (Courtauld)
Research Interests
Victorian and Edwardian Art and Visual Culture
Visual Medical Humanities
Gender and the Body
Representations of Race 1850-1914
Art and Religion in the Nineteenth Century
External Scholarly Memberships and Affiliations
Nineteenth-Century Field Editor, caa.reviews
1 Feb 2024 → …
Editorial Board, Nineteenth-Century Art Worldwide
1 Jan 2024 → …
Research student supervision
- Registered to supervise
Fingerprint
- 1 Similar Profiles
-
William Holman Hunt's Fantastic Magic Lantern
Hammerschlag, K. R., Mar 2025, In: Oxford Art Journal. 48, 1, p. 163-178 16 p.Research output: Contribution to journal › Article › peer-review
-
Poison by Advertisement: Cosmetics and the Art of Selling Whiteness c.1880-1920
Hammerschlag, K. R., 1 May 2022, In: Social History of Medicine. 35, 2, p. 389-421 33 p.Research output: Contribution to journal › Article › peer-review
3 Citations (Scopus) -
Black Apollo: Aesthetics, Dissection, and Race in Joseph Maclise's 'Surgical Anatomy'
Hammerschlag, K., 2021, In: British Art Studies. online, 20Research output: Contribution to journal › Article › peer-review
-
Christ’s Racial Origins: Finding the Jewish Race in Victorian History Painting
Hammerschlag, K. R., 2021, In: Art Bulletin. 103, 1, p. 65-88 24 p.Research output: Contribution to journal › Article › peer-review
1 Citation (Scopus) -
Drawing Racial Comparisons in Nineteenth-Century British and American Anatomical Atlases
Hammerschlag, K., 2021, Victorian Science & Imagery. Marshall, N. R. (ed.). University of Pittsburgh Press, p. 167-188 22 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
Projects
- 1 Active