A CRITICAL ANALYSIS OF SOUND LEVEL MONITORING METHODS AT LIVE EVENTS

Adam Hill, Jos Mulder, Jon Burton, Marce Kok, Michael Lawrence

Research output: Chapter in Book/Report/Conference proceedingConference contributionpeer-review

Abstract

Sound level monitoring at live events is quickly becoming indispensable due to the prevalence of sound-related regulations, notably the recent Global Standard for Safe Listening Venues and Events released by the World Health Organization earlier this year. The challenge is to comply with the imposed regulations while simultaneously meeting the aural expectations of the audience and performers. This paper provides a critical analysis of the current state of play in this area, including practical techniques to achieve the stated goals such as: sound system design, acoustical treatment, software design and signal processing. Insights into current practice among live sound engineers, including knowledge gaps in certain situations is considered, pointing to further initiatives required to ensure the live event industry can peacefully coexist with neighbouring communities and avoid excessive sound exposure to event staff and attendees.

Original languageEnglish
Title of host publicationReproduced Sound 2022
Subtitle of host publicationAuralisation and Personalisation-Beyond Reality
PublisherInstitute of Acoustics
ISBN (Electronic)9781906913434
Publication statusPublished - 2022
EventReproduced Sound 2022: Auralisation and Personalisation-Beyond Reality - Bristol, United Kingdom
Duration: 15 Nov 202217 Nov 2022

Publication series

NameProceedings of the Institute of Acoustics
Volume44
ISSN (Print)1478-6095

Conference

ConferenceReproduced Sound 2022: Auralisation and Personalisation-Beyond Reality
Country/TerritoryUnited Kingdom
CityBristol
Period15/11/2217/11/22

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