A Parisian in London, and New York: Genesis of a Modern Art Dynasty – Gimpel Fils

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

The steady success of Gimpel Fils gallery in London, and its international reach across social and geographical boundaries, was a far cry from its tentative origins in late nineteenth-century Paris. Traditionally regarded as Quintessentially French, the Gimpel art-dealership's relationship with England also began in the late nineteenth century; the cross-Channel cultural connection is at least as significant as, and even more enduring than, its customarily celebrated Franco-American distinction. In this chapter my concern is to knit the Gimpel art-dealing dynasty with themes of exile, reconciliation, assimilation, redemption, remembrance and other overarching narratives of socio-political disruption: my point of departure is to situate it in its Franglo-Jewish context.
Original languageEnglish
Title of host publicationJewish Dealers and the European Art Market, c. 1860-19
Subtitle of host publicationNegotiating Cultural Modernity
EditorsSilvia Davoli, Tom Stammers
Place of PublicationLondon/New York
PublisherBloomsbury Visual Arts
Chapter11
Pages215-231
Number of pages17
ISBN (Electronic)978-1-3504-7371-3, 978-1-3504-7372-0
ISBN (Print)978-1-3504-7368-3
DOIs
Publication statusPublished - 2024

Publication series

NameContextualizing Art Markets
PublisherBloomsbury Publishing

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