Afropolitan Projects: Music, Representation, and the Politics of Belonging in Australia

Bonnie B. McConnell*

*Corresponding author for this work

    Research output: Contribution to journalArticlepeer-review

    5 Citations (Scopus)

    Abstract

    Drawing on ethnographic research in Sydney, Melbourne, and Canberra (2016–2017), this article examines the way musicians articulate positive African-Australian identities in the face of political and media discourse that emphasizes African difference and criminality. I use the concept of “Afropolitan projects” to describe the way musicians’ express complexity and multiplicity, simultaneously forging allegiances across difference and foregrounding the African roots of contemporary popular music.

    Original languageEnglish
    Pages (from-to)131-149
    Number of pages19
    JournalPopular Music and Society
    Volume42
    Issue number2
    DOIs
    Publication statusPublished - 15 Mar 2019

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