Abstract
In rock historiography, Abbey Road Studios is depicted as the rock canon's ultimate recording house; home to the Beatles, Pink Floyd and a generation of classic rock album production. In recent years, the studio has struggled to maintain itself as an operational recording house, yet effectively exploits its past to secure its future. This article considers issues of heritage, pilgrimage and tourism before elucidating brand 'Abbey Road' as a conflation of geographical location, zebra crossing, graffiti wall, recording house and aura. In separating the tangible aspects of Abbey Road's heritage - the zebra crossing, graffiti wall and the Beatles Abbey Road album - out from its intangibles - its 'magic', legacy and studio 'vibe' - Abbey Road's studio aura is exposed as a commodity in its own right.
| Original language | English |
|---|---|
| Pages (from-to) | 396-417 |
| Number of pages | 22 |
| Journal | Popular Music |
| Volume | 35 |
| Issue number | 3 |
| DOIs | |
| Publication status | Published - 1 Oct 2016 |
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