Abstract
This chapter outlines the “discovery” in the twentieth century of oral traditional art, from the perspective of the Homeric epics. It notes subsequent interest in comparative studies of a vast number of oral traditions from across the globe; it draws attention to the theorizing of oral cultures and oral practices (in particular, a questioning of a binary model of orality versus literacy); it points to the complex role that memory plays in the production of oral traditional song; and, finally, it asks whether we can judge oral art by the same standards that we apply to works of literature.
| Original language | English |
|---|---|
| Title of host publication | A Companion to World Literature |
| Editors | Ken Seigneurie |
| Place of Publication | United Kingdom |
| Publisher | Wiley-Blackwell |
| Pages | 239-244 |
| Volume | 5 |
| Edition | 1st |
| ISBN (Print) | 978-1-118-99318-7 |
| DOIs | |
| Publication status | Published - 2020 |
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