Coming to Our Senses: The Viewer and Herzog's Sonic Worlds

Roger Hillman

doi:10.1002/9781118274491.ch7

Coming to Our Senses: The Viewer and Herzog's Sonic Worlds

Roger Hillman^*

^*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

3 Citations (Scopus)

Original language	English
Title of host publication	A Companion to Werner Herzog
Publisher	Wiley-Blackwell
Pages	168-186
Number of pages	19
ISBN (Print)	9781405194402
DOIs	https://doi.org/10.1002/9781118274491.ch7
Publication status	Published - 28 May 2012

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10.1002/9781118274491.ch7

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title = "Coming to Our Senses: The Viewer and Herzog's Sonic Worlds",

keywords = "Film soundtracks, dialogue, ambient sound, music, Herzog as mediator, and puppeteer from the edge, Herzog's films, ending with a defeat, ironized and grand, Herzog's separation of soundtracks, at odds with mainstream cinema, Herzog's voice-overs, as part of soundscape, Herzog, renowned as a visionary, apparent in his films, Notion of a mirage, a space appealing to Herzog, Speaking in tongues, the chanting of ritual, neither to speech nor music, The viewer and Herzog's sonic worlds, coming to our senses",

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Coming to Our Senses: The Viewer and Herzog's Sonic Worlds

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