Abstract
During the final two years of the First World War, a series of propaganda photography exhibitions were held in London. The centrepieces to these exhibitions were giant mural enlargements. Some of these spectacular battle scenes were artificially coloured and some were composites produced from several different negatives. The exhibitions were popular successes, and the mural images attracted favourable press attention. They also produced a degree of controversy behind the scenes with respect to their status as ‘fakes’.
Original language | English |
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Pages (from-to) | 154-165 |
Number of pages | 12 |
Journal | History of Photography |
Volume | 27 |
Issue number | 2 |
DOIs | |
Publication status | Published - 2003 |