Conclusion: Performing Christian Punk Identity

Ibrahim Abraham

doi:10.5040/9781350094826.ch-012

Conclusion: Performing Christian Punk Identity

Ibrahim Abraham

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

Abstract: This short, concluding chapter analyzes three key aspects of identity performed in Christian punk. Christian punk’s performance of evangelical identity is an attempt to make evangelicalism explicable in contemporary society. Christian punk’s performance of masculine identity continues basic punk norms. Christian punk’s performance of punk identity is similarly noticeable for its inward turn, in keeping with broader changes in secular punk. Keywords: Christianity; Class; Evangelicalism; Masculinity; Punk

Original language	English
Title of host publication	Christian Punk: Identity and Performance
Editors	Ibrahim Abraham
Place of Publication	London
Publisher	Bloomsbury Academic
Pages	193-198
Volume	1
Edition	1st
ISBN (Print)	9781350094796
DOIs	https://doi.org/10.5040/9781350094826.ch-012
Publication status	Published - 2020

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AB - Abstract: This short, concluding chapter analyzes three key aspects of identity performed in Christian punk. Christian punk’s performance of evangelical identity is an attempt to make evangelicalism explicable in contemporary society. Christian punk’s performance of masculine identity continues basic punk norms. Christian punk’s performance of punk identity is similarly noticeable for its inward turn, in keeping with broader changes in secular punk. Keywords: Christianity; Class; Evangelicalism; Masculinity; Punk

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Conclusion: Performing Christian Punk Identity

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