Abstract
Conceptually oriented art has a history of adapting eighteenth-century fiction. Contemporary gallery art has regularly repurposed and translated eighteenth-century writing across media; and, by moving from one medium to another, it illuminates, under strange light, certain elements and structures of the eighteenth-century novel. I will not provide an exhaustive catalogue of appearances of eighteenth-century novels within contemporary visual art; instead, I will closely examine how three prominent contemporary visual artists rework eighteenth-century fiction, namely John Baldessari, Meg Cranston and Paul Chan. All three artists are concerned with translating aspects of the reading experience across media.
John Baldessari’s lithograph series and...
John Baldessari’s lithograph series and...
Original language | English |
---|---|
Title of host publication | The Edinburgh Companion to the Eighteenth-Century British Novel and the Arts |
Editors | Jakub Lipski, M-C. Newbould |
Place of Publication | Edinburgh |
Publisher | Edinburgh University Press |
Chapter | 27 |
Pages | 485-502 |
ISBN (Electronic) | 9781399506649, 9781399506632 |
ISBN (Print) | 9781399506625 |
DOIs | |
Publication status | Published - 2024 |
Publication series
Name | Edinburgh Companions to Literature and the Humanities |
---|---|
Publisher | Edinburgh University Press |