Abstract
In 1918, in a German POW camp, German Jewish sculptor Rudolf Marcuse modelled a bronze bust of Australian Indigenous serviceman Douglas Grant. We discuss these two men’s life-histories, the political impetus for creating racialized images of POWs, the early twentieth-century globalization of colonial power structures, and the capacity of a personal, arbitrary encounter to resist simple, deterministic imperatives.
| Original language | English |
|---|---|
| Pages (from-to) | 351-380 |
| Number of pages | 30 |
| Journal | History and Anthropology |
| Volume | 32 |
| Issue number | 3 |
| DOIs | |
| Publication status | Published - 2021 |
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