Abstract
An examination of the status accorded to mass circulation in modern and postmodern art, exploring modernism's embrace of circulation as a democratic impulse, Dawkins' proposal of the circulatory cultural meme, and postmodern artists efforts to reclaim a positive value for circulation in the internet age.
| Original language | English |
|---|---|
| Pages (from-to) | 53-69 |
| Journal | Discipline |
| Issue number | 4.5 |
| Publication status | Published - 2017 |