Abstract
Photography is constantly dying and being reborn. AI represents the latest stage of photography’s transformation into a software output, cannibalising the camera and even transforming it into a set of executable text prompts. If it is now clear that photography is a kind of ‘program’, and that images are operational, actionable and scrapable, what does this mean for the future of the medium? Both an exploration and a provocation, this exhibition features work by Australian and international artists speculating on the social and political ramifications of photography’s afterlives.
Artists include: Memo Akten, Amrita Hepi, Max Pinckers and Dries Depoorter, Rosa Menkman, Sara Oscar, J. Rosenbaum, Sebastian Schmieg and Alan Warburton
Exhibition Curators: Alison Bennett, Shane Hulbert, Daniel Palmer, Katrina Sluis
Venue: RMIT Galleries
Dates: 1 Mar - 4 May 2024
Artists include: Memo Akten, Amrita Hepi, Max Pinckers and Dries Depoorter, Rosa Menkman, Sara Oscar, J. Rosenbaum, Sebastian Schmieg and Alan Warburton
Exhibition Curators: Alison Bennett, Shane Hulbert, Daniel Palmer, Katrina Sluis
Venue: RMIT Galleries
Dates: 1 Mar - 4 May 2024
Original language | English |
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Publisher | RMIT Gallery |
Publication status | Published - 1 Mar 2024 |