Abstract
Despite retrospective acknowledgement, sound recordists - and their contributions to classic rock recordings - remain concealed, both in a literal sense as they partake in the recording process and in popular-music historiography. Thus, the main objective of this chapter is two-fold:first, it focuses on a key yet overlooked recordist, and second, it fills an obvious gap in glam studies by examining, as Reynolds suggested, 'the rock and roll part' as opposed to the lipstick.
| Original language | English |
|---|---|
| Title of host publication | Global Glam and Popular Music |
| Subtitle of host publication | Style and Spectacle from the 1970s to the 2000s |
| Publisher | Taylor and Francis Inc. |
| Pages | 55-68 |
| Number of pages | 14 |
| ISBN (Electronic) | 9781317588184 |
| ISBN (Print) | 9781138821767 |
| DOIs | |
| Publication status | Published - 19 Feb 2016 |