"Hideous fidelity to nature": John Glover and the colonised landscape

David Hansen

"Hideous fidelity to nature": John Glover and the colonised landscape

David Hansen

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

This chapter considers the Australian paintings of the British landscape painter John Glover from multiple perspectives. It explores not only the dichotomy of their having stylistic origins in the Claudean Picturesque while offering naturalistic responses to the environment, but also broader issues such as the introduction of European plants to Van Diemen's Land and the nature of colonial pastoralism and agriculture.

Original language	English
Title of host publication	Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States
Editors	Richard Read & Kenneth Haltman
Place of Publication	Chicago
Publisher	University of Chicago Press
Pages	88-103
Volume	1
Edition	1st
ISBN (Print)	9780932171696
Publication status	Published - 2020

Cite this

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title = "{"}Hideous fidelity to nature{"}: John Glover and the colonised landscape",

abstract = "This chapter considers the Australian paintings of the British landscape painter John Glover from multiple perspectives. It explores not only the dichotomy of their having stylistic origins in the Claudean Picturesque while offering naturalistic responses to the environment, but also broader issues such as the introduction of European plants to Van Diemen's Land and the nature of colonial pastoralism and agriculture.",

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"Hideous fidelity to nature": John Glover and the colonised landscape. / Hansen, David.
Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States. ed. / Richard Read & Kenneth Haltman. Vol. 1 1st. ed. Chicago: University of Chicago Press, 2020. p. 88-103.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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AB - This chapter considers the Australian paintings of the British landscape painter John Glover from multiple perspectives. It explores not only the dichotomy of their having stylistic origins in the Claudean Picturesque while offering naturalistic responses to the environment, but also broader issues such as the introduction of European plants to Van Diemen's Land and the nature of colonial pastoralism and agriculture.

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"Hideous fidelity to nature": John Glover and the colonised landscape

Abstract

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