Abstract
Anna-Sophie Jürgens reconstructs how the concept of the clown robot has been condensed in literature, film, theater, and comics using the example of the Joker character. She shows that this popular icon is a kind of reversal of the notion of the human machine, ironizing our fascination with technological progress.
| Original language | English |
|---|---|
| Title of host publication | Iconizing of Literature, Art, Humanities, and Science |
| Subtitle of host publication | Intermediality and Value in Popular Culture |
| Editors | Paula Wojcik, Sophie Picard, Hannes Höfer |
| Place of Publication | Cham |
| Publisher | Palgrave Macmillan |
| Pages | 189-200 |
| Number of pages | 12 |
| ISBN (Electronic) | 978-3-031-62312-7 |
| ISBN (Print) | 978-3-031-62311-0 |
| DOIs | |
| Publication status | Published - 2025 |
Fingerprint
Dive into the research topics of 'Intermedia Genealogy and Interrelation of Icons: Clowns, Robots and the Joker'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver