Abstract
British sinologist David Hawkes’s appropriation of Shakespeare in his
English translation of Hongloumeng (The Story of the Stone) is far more than a
decorative flourish. Its more important purpose is to evoke emotional resonance
among English readers. Drawing on his artistic ingenuity and literary sensibility,
Hawkes effectively lets Shakespeare speak on his behalf, engaging in a dialogue
with the Anglophone audience and conveying subtle, concealed messages to readers perceptive enough to appreciate the playfulness of his literary game. On the
surface, what we read appears to be a translation of a classic Chinese novel; in
reality, however, we hear echoes of Shakespeare everywhere. Hawkes’s The Story
of the Stone is indeed a Chinese story written in the language of Shakespeare.
English translation of Hongloumeng (The Story of the Stone) is far more than a
decorative flourish. Its more important purpose is to evoke emotional resonance
among English readers. Drawing on his artistic ingenuity and literary sensibility,
Hawkes effectively lets Shakespeare speak on his behalf, engaging in a dialogue
with the Anglophone audience and conveying subtle, concealed messages to readers perceptive enough to appreciate the playfulness of his literary game. On the
surface, what we read appears to be a translation of a classic Chinese novel; in
reality, however, we hear echoes of Shakespeare everywhere. Hawkes’s The Story
of the Stone is indeed a Chinese story written in the language of Shakespeare.
| Original language | English |
|---|---|
| Pages (from-to) | 45-68 |
| Number of pages | 24 |
| Journal | Translation and Global Communication |
| Volume | 1 |
| Issue number | 1 |
| Publication status | Published - Jun 2026 |
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