Abstract
Explorations of the link between language use and social power are steadily increasing in prominence in twenty-first century French cinema. This article examines the complex representation of multilingualism in London River (Rachid Bouchareb, 2009), exploring the role of French as what I call an unanchored language. The unanchored language is one which is used outside of its country of origin and by non-native speakers, and is thus removed from, or runs parallel to, the purview of traditional language politics. As shown in the use of French between a Guernsian woman and a Malian man in London River, the unanchored language can be a means of defusing or transcending tense scenarios of international violence and cross-cultural conflict, rather than exacerbating them.
Translated title of the contribution | Unsacred languages:: The role of French in London River (Rachid Bouchareb, 2009) |
---|---|
Original language | French |
Title of host publication | Genre, Text and Language |
Editors | V. Duché, T. Do and A. Rizzi |
Place of Publication | Paris, France |
Publisher | Classiques Garnier |
Pages | 317-325 |
Volume | 1 |
Edition | 1st |
ISBN (Print) | 9782812437946 |
DOIs | |
Publication status | Published - 2015 |