Abstract
If context is all-important, it is usually out of reach. Place is an integral part of these images even when there is no landscape evident, even when there is “no there there,” since many of the locations are unrecorded, lost to us. So understanding nineteenth-century photographic portraits of Indigenous peoples of Oceania is a process of reaching out for what finally is absent, rather than grasping the presence of new “truths” and disseminating new “information.”
Original language | English |
---|---|
Title of host publication | Colonialist Photography: Imag(in)ing Race and Place. |
Editors | Eleanor M. Hight, Gary D. Sampson |
Place of Publication | London UK; New York, USA |
Publisher | Routledge |
Pages | 20-29 |
Volume | 1 |
Edition | 1 |
ISBN (Print) | 9781315015262 |
DOIs | |
Publication status | Published - 2002 |