Longing Band play at Beautiful Hope

Emma Baulch*

*Corresponding author for this work

    Research output: Contribution to journalArticlepeer-review

    2 Citations (Scopus)

    Abstract

    This article enquires into the contextual dimensions of Indonesian consumerism by presenting the rise to national fame of provincial boy band, Kangen (Longing) Band. The case of Kangen Band suggests that Indonesian consumerism entails new ways of heralding the masses that rely on and play with old generic terms, kampungan (hick-ish) and 'Melayu' (Malay). It also reveals some of the specificities of the Indonesian consumerist environment, in which ring back tones, pirate recordings and corporatized fandom are important resources in the formation of consumer subjectivities.

    Original languageEnglish
    Pages (from-to)289-302
    Number of pages14
    JournalInternational Journal of Cultural Studies
    Volume16
    Issue number3
    DOIs
    Publication statusPublished - May 2013

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