Abstract
One of the most remarkable contributions that André Malraux made to the theory of art is his explanation of the relationship between art and time: his argument that art transcends time through a process of metamorphosis. This proposition, which replaces the traditional belief that art resists time because it is eternal or immortal, poses a major challenge to traditional aesthetics. This article examines the notion of metamorphosis and the challenge it represents.
| Original language | English |
|---|---|
| Pages (from-to) | 99-111 |
| Journal | Revue des Lettres Modernes |
| Volume | 14 |
| DOIs | |
| Publication status | Published - 2018 |
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