TY - JOUR
T1 - Marginalia as Texts
T2 - Early Modern Marks in the Emmerson Collection at State Library Victoria
AU - Smith, Rosalind
N1 - Publisher Copyright:
© 2024 Australian and New Zealand Association for Medieval and Early Modern Studies. All rights reserved.
PY - 2024
Y1 - 2024
N2 - When John Emmerson’s collection of over five thousand early modern rare books entered public hands in 2015, a new corpus of sixteenth- and seventeenth-century marginalia within those books became available for analysis for the first time. Rather than studying this exciting new body of marks primarily as evidence of reading, this article takes up the idea of marginalia as a collection of ‘texts’, subject to generic convention and available to formalist literary analysis. It provides a taxonomy of kinds of marginalia found in the collection, from marks of ownership through reader annotation to marks of recording, followed by an analysis of these kinds in the near complete run of editions of works by Philip Sidney in the collection (1593–1674). Through these examples, I argue for a new approach to marginalia that focuses on form: textual, visual, and material. This approach is shaped by John Emmerson’s collecting practices and the distinctive contours of the Emmerson Collection, allowing us to rethink what marginalia are and who might be considered to be marginalists in early modern England.
AB - When John Emmerson’s collection of over five thousand early modern rare books entered public hands in 2015, a new corpus of sixteenth- and seventeenth-century marginalia within those books became available for analysis for the first time. Rather than studying this exciting new body of marks primarily as evidence of reading, this article takes up the idea of marginalia as a collection of ‘texts’, subject to generic convention and available to formalist literary analysis. It provides a taxonomy of kinds of marginalia found in the collection, from marks of ownership through reader annotation to marks of recording, followed by an analysis of these kinds in the near complete run of editions of works by Philip Sidney in the collection (1593–1674). Through these examples, I argue for a new approach to marginalia that focuses on form: textual, visual, and material. This approach is shaped by John Emmerson’s collecting practices and the distinctive contours of the Emmerson Collection, allowing us to rethink what marginalia are and who might be considered to be marginalists in early modern England.
UR - http://www.scopus.com/inward/record.url?scp=85212550623&partnerID=8YFLogxK
U2 - 10.1353/pgn.2024.a946928
DO - 10.1353/pgn.2024.a946928
M3 - Article
AN - SCOPUS:85212550623
SN - 0313-6221
VL - 41
SP - 133
EP - 159
JO - Parergon
JF - Parergon
IS - 2
ER -