Mobile monuments: A view of historical reenactment and authenticity from inside the costume cupboard of history

Stephen Gapps*

*Corresponding author for this work

    Research output: Contribution to journalArticlepeer-review

    61 Citations (Scopus)

    Abstract

    Reenactment is an increasingly popular cultural practice that appears to offer participants and audiences authentic experiences and representations of history. Gapps is an historian who has participated in and coordinated many reenactments including the 'Battles' of Vinegar Hill, Waterloo, Trafalgar, Hastings and Gettysburg. This article is an exploration of the central tenet of reenactment - 'authenticity' - from an insider's perspective. Gapps suggests that the performance of history has been largely dismissed by cultural critics as a form of nostalgia, but that it actually has a significant role to offer - particularly as a form of public commemoration of shared remembrance of historical events. He notes that reenactors' self-reflective attention to historical accuracy in performance is a key element in the practice of reenactment that can generate historical understanding. Unlike monuments, reenactments have the potential to create more open ended and contextual historical commemorations.

    Original languageEnglish
    Pages (from-to)395-409
    Number of pages15
    JournalRethinking History
    Volume13
    Issue number3
    DOIs
    Publication statusPublished - Sept 2009

    Fingerprint

    Dive into the research topics of 'Mobile monuments: A view of historical reenactment and authenticity from inside the costume cupboard of history'. Together they form a unique fingerprint.

    Cite this