Abstract
In this article, I reflect on the aesthetics and cultural politics of Oceanic collections in several places, considering objects as “moving” in three dimensions: in the physical sense, in the affective responses they elicit, and in the curatorial contexts of their display. I start with the Cook-Forster collection in Göttingen and then move on to Honolulu and Canberra where this collection was exhibited for the first time beyond Europe in 2006.
Original language | English |
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Pages (from-to) | 281-314 |
Number of pages | 34 |
Journal | Contemporary Pacific |
Volume | 28 |
Issue number | 2 |
DOIs | |
Publication status | Published - 2016 |