Abstract
Since the late 1990s a transnational Lao music industry, driven by the explosion of digital media technologies, has emerged across the communities of the Lao diaspora. These migrant Lao communities, which are dispersed across, and within, the United States of America, Australia, France and Canada, are undergoing internal changes as their younger, bi-cultural, generations reach adulthood. Using Lao music and its associated technoculture as a focal point, this article explores some of the ways Lao identity is being reconfigured and reconstructed as young migrant Lao come to terms with their cross-cultural status.
| Original language | English |
|---|---|
| Pages (from-to) | 129-144 |
| Number of pages | 16 |
| Journal | Asia Pacific Journal of Anthropology |
| Volume | 5 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - Aug 2004 |
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