Abstract
Participation–where visitors are invited to leave a comment, co-create, or contribute to exhibitions–has been hailed as an opportunity to democratise the museum experience. New qualitative data from on-site and follow up interviews with museum visitors and practitioners at the experimental exhibition Power of 1 at the Museum of Australian Democracy has been used as a case study to determine if the rhetoric of the highly interactive, audience-centred approach of the participatory museum is meeting its aims. This paper argues that participation has the potential to democratise the museum experience for visitors, particularly when a more expansive definition is applied which acknowledges the benefits of participation beyond simply leaving a comment. Participation can provoke conversations and forge connections with real and imagined communities within the museum and beyond; however this potential is hampered by the often unacknowledged undemocratic practices within institutions by professionals who devalue visitor participation and power-sharing in order to uphold traditional museum practices.
Original language | English |
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Pages (from-to) | 795-809 |
Number of pages | 15 |
Journal | International Journal of Heritage Studies |
Volume | 24 |
Issue number | 7 |
DOIs | |
Publication status | Published - 9 Aug 2018 |