Abstract
The review and analysis of Hooper Brewster-Jones's 'Prelude to a new formula', a set of 6 preludes is discussed. Other relevant pieces of the same period are also highlighted as a significant early Australian foray into a world beyond tonality and pursued as aesthetic agenda.
| Original language | English |
|---|---|
| Pages (from-to) | 25-43 |
| Journal | Context: Journal of Music Research |
| Volume | 33 |
| DOIs | |
| Publication status | Published - 2008 |
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