Abstract
This paper proposes a possible explanation for uniform pricing in the recorded music industry, based on a pooling equilibrium across different quality types. We show that an ex ante ability to invest in the probability of success - which we identify with record companies' artists and repertoire (A&R) expenditures - makes such a pooling equilibrium more likely.
| Original language | English |
|---|---|
| Pages (from-to) | 58-66 |
| Number of pages | 9 |
| Journal | Information Economics and Policy |
| Volume | 34 |
| DOIs | |
| Publication status | Published - 1 Mar 2016 |