TY - JOUR
T1 - Playing the midwife's part in the English nativity plays
AU - Ryan, Denise
PY - 2003
Y1 - 2003
N2 - Two of the surviving English Nativity plays tell the story of the doubting midwife who witnesses, literally firsthand, the miracle of Mary's virginity at the birth of Christ. Beyond imparting the lesson of the necessity of faith, the plays communicate the complexity of the midwife's life in late medieval and early modern England. The portrayal of the midwife's role in the Chester and Ntown versions of the Nativity, considered in relation to evidence from records of civic and parish administration, gives a striking sense of the multiple roles reallife midwives were obliged to play and the competing interests they were bound to serve. This article examines the modes of presentation of the midwives in the Nativity plays in terms of their broad cultural resonance, the language used by the midwives to introduce their roles to the audience, and the function that other characters perceive them as fulfilling. It also notes postReformation objections to the inclusion of the doubting midwife sequence in the Chester play, and examines the Chester cycle's portrayal of women, in the Nativity and elsewhere in its sequence of plays, in terms of the privileged empirical knowledge of the human body attributed to them.
AB - Two of the surviving English Nativity plays tell the story of the doubting midwife who witnesses, literally firsthand, the miracle of Mary's virginity at the birth of Christ. Beyond imparting the lesson of the necessity of faith, the plays communicate the complexity of the midwife's life in late medieval and early modern England. The portrayal of the midwife's role in the Chester and Ntown versions of the Nativity, considered in relation to evidence from records of civic and parish administration, gives a striking sense of the multiple roles reallife midwives were obliged to play and the competing interests they were bound to serve. This article examines the modes of presentation of the midwives in the Nativity plays in terms of their broad cultural resonance, the language used by the midwives to introduce their roles to the audience, and the function that other characters perceive them as fulfilling. It also notes postReformation objections to the inclusion of the doubting midwife sequence in the Chester play, and examines the Chester cycle's portrayal of women, in the Nativity and elsewhere in its sequence of plays, in terms of the privileged empirical knowledge of the human body attributed to them.
UR - http://www.scopus.com/inward/record.url?scp=62949097348&partnerID=8YFLogxK
U2 - 10.1093/res/54.216.435
DO - 10.1093/res/54.216.435
M3 - Article
SN - 0034-6551
VL - 54
SP - 435
EP - 448
JO - The Review of English Studies
JF - The Review of English Studies
IS - 216
ER -