TY - JOUR
T1 - Screening race, streaming Frenchness
T2 - Women of colour on French Netflix
AU - Loïc, Bourdeau
AU - King, Gemma
N1 - Publisher Copyright:
© 2024 Informa UK Limited, trading as Taylor & Francis Group.
PY - 2024/9/3
Y1 - 2024/9/3
N2 - This article builds on the emerging scholarship on Netflix productions and French series to analyse questions of racial visibility and feminine representation in two series: Dix pour cent/Call My Agent! (France Télévisions/Netflix, 2015–2020) and Plan cœur/The Hook-Up Plan (Netflix, 2018–2022). The first section focuses on Dix pour cent’s Sofia Leprince, a mixed-race receptionist and aspiring actress, and the ways in which she serves to highlight the lack of Black actors in French cinema. The second section analyses Plan cœur’s Charlotte Ben Smires, a young woman at a career crossroads who offers a paradoxical perspective on the place of Maghrebi descendants in – and their relationship with – France. Overall, the authors examine how Dix pour cent and Plan cœur, two series featuring strong women of colour, navigate racial visibility in universalist French contexts. These series speak back to a striking historical absence of actors of colour – especially women – from French television screens, yet they are nonetheless circumscribed in persistent norms of republican universalism and thus racial colour-blindness. This article examines this paradox to determine whether these successful contemporary series can truly offer ‘narrative renewal’ within the confines of republican representation norms.
AB - This article builds on the emerging scholarship on Netflix productions and French series to analyse questions of racial visibility and feminine representation in two series: Dix pour cent/Call My Agent! (France Télévisions/Netflix, 2015–2020) and Plan cœur/The Hook-Up Plan (Netflix, 2018–2022). The first section focuses on Dix pour cent’s Sofia Leprince, a mixed-race receptionist and aspiring actress, and the ways in which she serves to highlight the lack of Black actors in French cinema. The second section analyses Plan cœur’s Charlotte Ben Smires, a young woman at a career crossroads who offers a paradoxical perspective on the place of Maghrebi descendants in – and their relationship with – France. Overall, the authors examine how Dix pour cent and Plan cœur, two series featuring strong women of colour, navigate racial visibility in universalist French contexts. These series speak back to a striking historical absence of actors of colour – especially women – from French television screens, yet they are nonetheless circumscribed in persistent norms of republican universalism and thus racial colour-blindness. This article examines this paradox to determine whether these successful contemporary series can truly offer ‘narrative renewal’ within the confines of republican representation norms.
KW - Netflix
KW - diversity
KW - film industry
KW - identity
KW - race/ethnicity
KW - universalism
UR - http://www.scopus.com/inward/record.url?scp=85203067801&partnerID=8YFLogxK
U2 - 10.1080/26438941.2024.2389621
DO - 10.1080/26438941.2024.2389621
M3 - Article
SN - 2643-8941
VL - 10.1080/26438941.2024.2389621
JO - French Screen Studies
JF - French Screen Studies
ER -