Abstract
In 2007 Einaudi published a book entitled Terra matta, by an unknown Sicilian author, Vincenzo Rabito, which would rapidly become a bestseller. In 2012 a film derived from the book, Terramatta; Il Novecento italiano di Vincenzo Rabito analfabeta siciliano, was presented at the Venice Film Festival to great acclaim. In introducing our analyses of that cultural phenomenon, I describe the nature of the typescript and set it in the context of other writings by Italy's diversamente colti. I chart the passage from typescript to book to film and outline the interventions-explored in detail by the protagonists in the contributions that follow-shaping its successive incarnations.
| Original language | English |
|---|---|
| Pages (from-to) | 223-240 |
| Number of pages | 18 |
| Journal | Journal of Modern Italian Studies |
| Volume | 19 |
| Issue number | 3 |
| DOIs | |
| Publication status | Published - 27 May 2014 |
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