Abstract
This paper describes Strike on Stage, an interface and corresponding audio-visual performance work developed and performed in 2010 by percussionists and media artists Chi-Hsia Lai and Charles Martin. The concept of Strike on Stage is to integrate computer visuals and sound into an improvised percussion performance. A large projection surface is positioned directly behind the performers, while a computer vision system tracks their movements. The setup allows computer visualisation and sonification to be directly responsive and unified with the performers’ gestures.
| Original language | English |
|---|---|
| Pages (from-to) | 142-143 |
| Number of pages | 2 |
| Journal | Proceedings of the International Conference on New Interfaces for Musical Expression |
| Publication status | Published - 2011 |
| Externally published | Yes |
| Event | International conference on New Interfaces for Musical Expression, NIME 2011 - Oslo, Norway Duration: 30 May 2011 → 1 Jun 2011 |