Synesthetic: Composing works for Marimba and Automated Lighting

Christina Hopgood, Charles Martin, Gísli Jóhann Grétarsson

    Research output: Chapter in Book/Report/Conference proceedingConference contributionpeer-review

    Abstract

    This paper describes a series of explorations aimed at developing new modes of performance using percussion and computer controlled lighting, linked by electronic sensing technology. Music and colour are often imagined to be related and parallels have been drawn between the colour spectrum and keyboard. Some people experience a condition, chromesthesia (a type of synesthesia), where experiences of colour and sound are linked in the brain. In our work, we sought to explore such links and render them on stage as part of a musical performance. Over the course of this project, tools and strategies were developed to create a performance work consisting of five short movements, each emphasising a different interactive strategy between the performer, lights, and composition. In this paper, we describe the tools created to support this work: a custom wearable lighting and sensing system, and microcontroller based OSC to DMX lighting controller. We discuss each composition and how the interactions reflect ideas about synesthesia.
    Original languageEnglish
    Title of host publicationSeeing the Inaudible, hearing the invisible: Proceedings of the Australasian Computer Music Conference
    Place of PublicationMelbourne, Australia
    PublisherAustralasian Computer Music Association
    Pages23--27
    ISBN (Print)1448-7780
    Publication statusPublished - 2019
    EventAustralasian Computer Music Conference - Monash University, Melbourne
    Duration: 1 Jan 2019 → …
    https://computermusic.org.au/media/2019/12/ACMC2019Proceedings.pdf

    Conference

    ConferenceAustralasian Computer Music Conference
    Period1/01/19 → …
    OtherTue Jul 23 00:00:00 AEST 2019
    Internet address

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