Taking liberties: Independent filmmakers representing the tudung in Malaysia

Gaik Cheng Khoo*

*Corresponding author for this work

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    6 Citations (Scopus)

    Abstract

    Since 2000, digital technology has democratized fi lmmaking in Malaysia, giving rise to a new generation of international fi lm festival award-winning directors. Numerous private colleges and universities began to offer fi lm and animation courses; the Kelab Seni Filem Malaysia (Art Film Club) screened foreign fi lms and also ran special screenings on Malaysian short fi lms and documentaries several times a year; fi lm festivals increased and there began to be overlaps between local fi lm activists and social activism, manifested in the Freedom Film Fest offerings which focused on human rights. 1 In 2005, the Goethe-Institut in Kuala Lumpur and the Multimedia Development Corporation initiated and sponsored a short fi lm competition on the subject of the tudung (headscarf). 2 The competition intended to highlight “creative visual attempts that lend themselves best to portraying the width of social and religious functions performed by the ‘tudung’ right up to its current status of being a fashionable designer item and an accessory.”
    Original languageEnglish
    Title of host publicationIslam and Popular Culture in Indonesia and Malaysia
    PublisherTaylor and Francis
    Pages195-211
    Number of pages17
    ISBN (Electronic)9781136812293
    ISBN (Print)9780415565189
    Publication statusPublished - 20 Apr 2011

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