The Big Sing in the Desert: An Emphasis on Exchange and Common Ground

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    Abstract

    This story is framed within an Orff-like incorporation of the music of different cultures. Across the world, the Orff process has been adapted to reflect local traditions and local music-making. For Orff, the voice was central, as much a part of his practice as the Instrumentarium. This story is also one of crossing over cultures, where South African gospel has found a new expression in translation into Aboriginal languages, resulting in respectful exchange and community sharing.
    Original languageEnglish
    Pages (from-to)9-16pp
    JournalMusicworks: Journal of the Australian Council of Orff Schulwerk
    Volume19
    Issue number1
    Publication statusPublished - 2014

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