The digital non-visitor art in America asks eight specialists to weigh in on new technology and the museum experience.

Peter Gorgels*

*Corresponding author for this work

Research output: Contribution to journalReview articlepeer-review

Abstract

Art in America invites eight specialists (Orit Gat, Katrina Sluis, Lev Manovich, Maxwell L Anderson, Peter Gorgels, Sree Sreenivasan, Paul Schmelzer, Matthew Israel) to weigh in on new technology and the museum experience. The contemporary museum has audiences that never enter its doors. A curious visitor can take a virtual tour of a hundred museums on the website of the Google Cultural Institute, or browse the online database of the Art Institute of Chicago and use the 'My collections' feature to save favorite works to a personal account. There are other, less intentional ways that the digital non-visitor can come into contact with a message from a museum or a photograph of a work in its collection--a search-engine result, a post on Instagram, a retweet. How do museums turn weak contacts into strong ones? Can they--and should they--adapt their missions to suit the needs of diffuse and distant audiences? We posed these and other questions to a panel of experts, from digital managers and museum directors to critics and theorists. [Abridged Publication Abstract]
Original languageEnglish
Pages (from-to)98-107
Number of pages10
JournalArt in America
Volume104
Issue number9
Publication statusPublished - Oct 2016
Externally publishedYes

Fingerprint

Dive into the research topics of 'The digital non-visitor art in America asks eight specialists to weigh in on new technology and the museum experience.'. Together they form a unique fingerprint.

Cite this