TY - JOUR
T1 - The game of nationhood
T2 - art, football, and Australian federation
AU - McAuliffe, Chris
PY - 2013/12
Y1 - 2013/12
N2 - Hiding in plain sight in Sydney's Centennial Park, Tomaso Sani's We won! (1893) is the first monumental sculpture of a footballer erected anywhere in the world. Commissioned by New South Wales Premier Henry Parkes in 1891, it is often mistaken for an emblem of "muscular Christianity". But Parkes's commitment to public sculpture, his personal involvement in the planning of Centennial Park, and his growing prominence in the Australian federation movement meant that this commission had deep political significance. We won! was the culmination of Parkes's career-long support of public sculpture in Sydney; he was involved in around half of the statues erected in the second half of the nineteenth century. Its athletic subject reflects Parkes's belief in the emergence of a virile, native-born generation. Rather than merely representing an athlete, the statue embodied the theories of Parkes's friend Thomas Hughes (author of Tom Brown's Schooldays); the footballer embodied "faithful endurance" in the face of personal weakness and political conflict. Envisaged as an "expression of victory", the young footballer ultimately represented Parkes's personal and political triumphs over poverty and factional opposition. While Parkes always insisted that he wanted no monument erected in his own honour, We won! is his surrogate memorial.
AB - Hiding in plain sight in Sydney's Centennial Park, Tomaso Sani's We won! (1893) is the first monumental sculpture of a footballer erected anywhere in the world. Commissioned by New South Wales Premier Henry Parkes in 1891, it is often mistaken for an emblem of "muscular Christianity". But Parkes's commitment to public sculpture, his personal involvement in the planning of Centennial Park, and his growing prominence in the Australian federation movement meant that this commission had deep political significance. We won! was the culmination of Parkes's career-long support of public sculpture in Sydney; he was involved in around half of the statues erected in the second half of the nineteenth century. Its athletic subject reflects Parkes's belief in the emergence of a virile, native-born generation. Rather than merely representing an athlete, the statue embodied the theories of Parkes's friend Thomas Hughes (author of Tom Brown's Schooldays); the footballer embodied "faithful endurance" in the face of personal weakness and political conflict. Envisaged as an "expression of victory", the young footballer ultimately represented Parkes's personal and political triumphs over poverty and factional opposition. While Parkes always insisted that he wanted no monument erected in his own honour, We won! is his surrogate memorial.
KW - Henry Parkes
KW - art
KW - football
KW - public sculptures
UR - http://www.scopus.com/inward/record.url?scp=84887930737&partnerID=8YFLogxK
U2 - 10.1080/14443058.2013.841724
DO - 10.1080/14443058.2013.841724
M3 - Article
SN - 1444-3058
VL - 37
SP - 520
EP - 534
JO - Journal of Australian Studies
JF - Journal of Australian Studies
IS - 4
ER -