Skip to main navigation Skip to search Skip to main content

The Light of Wangarr

Howard Morphy*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

In relation to Wangarr, the spiritual power of the ancestral being and world creating force, the sacred likanbuy paintings1 of the Yolngu of Arnhem Land, Australia, have a property of a different order, bir'yun, that they do not share with Yolngu paintings of other categories. Bir'yun can be termed an aesthetic property since it operates independently of the specific meanings encoded in a painting, though as we shall see it interacts with them. Bir'yun is a particular visual effect resulting from aspects of the form of likanbuy paintings. Donald Thomson writes2 that the mundane or secular meaning of bir'yun refers to intense sources and refractions of light: to the sun's rays and to light sparkling in bubbling fresh water: Gong ngayi walu bir'yun-bir'yun, marrtji fingers his sun scintillate go The sun's rays scintillate.

Original languageEnglish
Title of host publicationVisual Sense A Cultural Reader
EditorsElizabeth Edwards & Kaushik Bhaumik
Place of PublicationNew York
PublisherTaylor and Francis
Pages59-61
Number of pages3
Volume1
EditionIst
ISBN (Electronic)9781040292723
ISBN (Print)9781003579588
DOIs
Publication statusPublished - 2008

Fingerprint

Dive into the research topics of 'The Light of Wangarr'. Together they form a unique fingerprint.

Cite this