The prototype: Problem work in the relationship between designer, artist, and gaffer in glassblowing

Erin O’Connor, Suzanne Peck

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

3 Citations (Scopus)

Abstract

Sarkis had been commissioned by Jasmine to produce glass prototypes of her designs for a home-accessory line. While Sarkis ‘gaffed’ Jasmine sat perched behind his workbench, watching and offering suggestions – but she was on his turf. Sarkis belonged to a community of glassblowers who prototype in the so-called ‘studio glass’ tradition. Studio glass tends to defy its original tenet of rejecting technique in favour of expression, and instead uses traditional technique and teamwork to explore the material and pursue expression. Finn was a graphic design major in college in the mid-1990s. He took glassblowing as an elective, and got hooked. After finishing college, Finn worked on contract for professional studio-glass artists. Once he was married with children, however, he decided that he needed a more secure income, but was uncertain about how to earn a living in the art world.

Original languageEnglish
Title of host publicationCraftwork as Problem Solving
Subtitle of host publicationEthnographic Studies of Design and Making
PublisherTaylor and Francis
Pages33-49
Number of pages17
ISBN (Electronic)9781134802227
ISBN (Print)9781472442925
DOIs
Publication statusPublished - 1 Jan 2017
Externally publishedYes

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