TY - JOUR
T1 - The Return of the Past
T2 - On Drawing and Dialogic History
AU - Ballard, Chris
PY - 2013/4
Y1 - 2013/4
N2 - Drawing is a fundamentally dialogic activity and yet it remains largely absent from anthropology's own accounts of its field practices and its history. The early Russian anthropologist of Oceania, Nikolai Miklouho-Maclay, employed drawing as a strategy to initiate dialogue with new interlocutors, often in the absence of a common language. My research on the history of Lelepa Island, Vanuatu, has built a series of conversations around Miklouho-Maclay's 1879 sketches of the community, mimicking the strategy of drawing-as-dialogue to develop a collaborative or dialogic account of the past.
AB - Drawing is a fundamentally dialogic activity and yet it remains largely absent from anthropology's own accounts of its field practices and its history. The early Russian anthropologist of Oceania, Nikolai Miklouho-Maclay, employed drawing as a strategy to initiate dialogue with new interlocutors, often in the absence of a common language. My research on the history of Lelepa Island, Vanuatu, has built a series of conversations around Miklouho-Maclay's 1879 sketches of the community, mimicking the strategy of drawing-as-dialogue to develop a collaborative or dialogic account of the past.
KW - Collaborative Ethnography
KW - Dialogue
KW - Drawing
KW - Encounter
KW - History
KW - Vanuatu
UR - http://www.scopus.com/inward/record.url?scp=84875318823&partnerID=8YFLogxK
U2 - 10.1080/14442213.2013.769119
DO - 10.1080/14442213.2013.769119
M3 - Article
SN - 1444-2213
VL - 14
SP - 136
EP - 148
JO - Asia Pacific Journal of Anthropology
JF - Asia Pacific Journal of Anthropology
IS - 2
ER -