TY - JOUR
T1 - The rock art of Kisar Island, Indonesia: A small island with a wealth and diversity of artistic expression
AU - O'Connor, Susan
AU - Kealy, Shimona
AU - Black, Adam
AU - Ririmasse , Marlon
AU - Mahirta, Mahirta
AU - Hawkins, Stuart
AU - Husni, Muhammad
AU - Tanudirjo, Daud
AU - Alifah, Alifah
AU - Wattimena, Lucas
AU - Handoko, Wuri
AU - Al Mujabuddawat, Muham-mad
PY - 2020
Y1 - 2020
N2 - We report 40 recently discovered rock art sites from Kisar Island in eastern Indonesia and investigate the commonalities between this art and painted art in other islands of Indonesia and in Timor-Leste. Predominantly painted, the art can be broadly divided into three categories: 1) small figurative motifs including humans, animals, boats and items of material culture, 2) a range of geometrics, both curvilinear and rectilinear, and 3) hand and arm stencils. On the ba-sis of geological features and weathering we suggest that the Kisar paintings span a consider-able period of time, from the Pleistocene through to the Indonesian historic period. We argue that the oldest paintings in the Kisar repertoire are some of the red pigment hand and arm stencils. The small figurative motifs such as the anthropomorphs and some of the geometrics are remarkably similar to those featured in the rock art assemblages of nearby Timor-Leste, and at a number of locations throughout eastern Indonesia. One site with an engraved motif carved into a stalagmite formation was also recorded.
AB - We report 40 recently discovered rock art sites from Kisar Island in eastern Indonesia and investigate the commonalities between this art and painted art in other islands of Indonesia and in Timor-Leste. Predominantly painted, the art can be broadly divided into three categories: 1) small figurative motifs including humans, animals, boats and items of material culture, 2) a range of geometrics, both curvilinear and rectilinear, and 3) hand and arm stencils. On the ba-sis of geological features and weathering we suggest that the Kisar paintings span a consider-able period of time, from the Pleistocene through to the Indonesian historic period. We argue that the oldest paintings in the Kisar repertoire are some of the red pigment hand and arm stencils. The small figurative motifs such as the anthropomorphs and some of the geometrics are remarkably similar to those featured in the rock art assemblages of nearby Timor-Leste, and at a number of locations throughout eastern Indonesia. One site with an engraved motif carved into a stalagmite formation was also recorded.
U2 - 10.7152/jipa.v44i0.15645
DO - 10.7152/jipa.v44i0.15645
M3 - Article
VL - 44
SP - 19
EP - 51
JO - Journal of Island and Coastal Archaeology
JF - Journal of Island and Coastal Archaeology
ER -