Abstract
This final chapter is a reflection on the coexisting juxtapositions, ambiguities, contradictions and paradoxical dynamics revealed in this volume: past and present, tradition and revolution, “elitist” and “pop”, “high” and “low”, art and entertainment. It tentatively maps how the meaning of “circus” as shifted in “avant-garde” contexts, and what role the “culture of narration” plays between them. In light of circus history, this chapter critically reflects on what historical avant-gardists perceived and interpreted as circus – how their “idea of circus” can be defined – and also discusses some of the cultural interconnections between modern circus and the “popular avant-gardes” that have not yet been discussed in depth in this volume.
| Original language | English |
|---|---|
| Title of host publication | Circus and the Avant-Gardes |
| Subtitle of host publication | History, Imaginary, Innovation |
| Publisher | Taylor and Francis |
| Pages | 247-258 |
| Number of pages | 12 |
| ISBN (Electronic) | 9781000552362 |
| ISBN (Print) | 9780367757281 |
| DOIs | |
| Publication status | Published - 1 Jan 2022 |
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