Tom yaya kange: A metrical narrative genre from the new guinea highlands

Contra Parry (1930) and Lord (I960), and orality theorists inspired by their work, Tedlock (1983) has argued that metrical verse arises only under the influence of alphabetic or syllabic writing. Reviewing Parry and Lord’s findings concerning Homeric and Yugoslav traditions, I compare them with my findings concerning torn yaya kange, a metrical genre from New Guinea that provides a strong counterexample to Tedlock’s generalization. Comparing this ethnographic case with another region in New Guinea where metricality is not used, I argue that such differences are best understood not with reference to extrinsic enabling conditions such as the presence or absence of writing, but by examining how uses and effects of metricality are mediated by specific linguistic and aesthetic ideologies.