TY - GEN
T1 - Tonal Cognition in Sonification
T2 - 19th International Audio Mostly Conference, Audio Mostly 2024
AU - Choi, Minsik
AU - Andres, Josh
AU - Martin, Charles Patrick
N1 - Publisher Copyright:
© 2024 Owner/Author.
PY - 2024/9/18
Y1 - 2024/9/18
N2 - Research into tonal music examines the structural relationships among sounds and how they align with our auditory perception. The exploration of integrating tonal cognition into sonic interaction design, particularly for practitioners lacking extensive musical knowledge, and developing an accessible software tool, remains limited. We report on a study of designers to understand the sound creation practices of industry experts and explore how infusing tonal music principles into a sound design tool can better support their craft and enhance the sonic experiences they create. Our study collected qualitative data through semi-structured individual and focus group interviews with six participants. We developed a low-fidelity prototype sound design tool that involves practical methods of functional harmony and interaction design discussed in focus groups. We identified four themes through reflexive thematic analysis: decision-making, domain knowledge and terminology, collaboration, and contexts in sound creation. Finally, we discussed design considerations for an accessible sonic interaction design tool that aligns auditory experience more closely with tonal cognition.
AB - Research into tonal music examines the structural relationships among sounds and how they align with our auditory perception. The exploration of integrating tonal cognition into sonic interaction design, particularly for practitioners lacking extensive musical knowledge, and developing an accessible software tool, remains limited. We report on a study of designers to understand the sound creation practices of industry experts and explore how infusing tonal music principles into a sound design tool can better support their craft and enhance the sonic experiences they create. Our study collected qualitative data through semi-structured individual and focus group interviews with six participants. We developed a low-fidelity prototype sound design tool that involves practical methods of functional harmony and interaction design discussed in focus groups. We identified four themes through reflexive thematic analysis: decision-making, domain knowledge and terminology, collaboration, and contexts in sound creation. Finally, we discussed design considerations for an accessible sonic interaction design tool that aligns auditory experience more closely with tonal cognition.
KW - auditory display
KW - creativity support tools
KW - embodied music cognition
KW - sonic interaction design
KW - tonal cognition
KW - user-centered design
UR - http://www.scopus.com/inward/record.url?scp=85205013062&partnerID=8YFLogxK
U2 - 10.1145/3678299.3678321
DO - 10.1145/3678299.3678321
M3 - Conference Paper
AN - SCOPUS:85205013062
T3 - ACM International Conference Proceeding Series
SP - 218
EP - 228
BT - Proceedings of the 19th International Audio Mostly Conference, Audio Mostly 2024
A2 - Ludovico, Luca Andrea
A2 - Mauro, Davide Andrea
PB - Association for Computing Machinery (ACM)
Y2 - 18 September 2024 through 20 September 2024
ER -