TY - CHAP
T1 - When Worlds Collide Quietly
T2 - Rock Art and the Mediation of Distance
AU - Frederick, Ursula K.
PY - 2012/7/23
Y1 - 2012/7/23
N2 - Narratives of the New World seldom begin without a bold pronouncement and an adventurous journey, yet the archaeology of rock art proposes a more nuanced account of the cross - cultural past: a new ground where the encounters, effects, and discoveries are felt on all sides. This chapter considers how researchers might discern processes of " contact " in less immediately obvious images. Focusing on a specific assemblage, this chapter explores the distances, both sociocultural and geographical, that Indigenous people traversed in making rock art. It is suggested that not only does rock art record a history of cross - cultural exchange, but it also actively mediates an outcome.
AB - Narratives of the New World seldom begin without a bold pronouncement and an adventurous journey, yet the archaeology of rock art proposes a more nuanced account of the cross - cultural past: a new ground where the encounters, effects, and discoveries are felt on all sides. This chapter considers how researchers might discern processes of " contact " in less immediately obvious images. Focusing on a specific assemblage, this chapter explores the distances, both sociocultural and geographical, that Indigenous people traversed in making rock art. It is suggested that not only does rock art record a history of cross - cultural exchange, but it also actively mediates an outcome.
KW - Australia's unique cross-cultural past, its "historical wounds", a fresh perspective
KW - Bicentennial of Australia, the Stolen Generations and "Sorry Day"
KW - Difficulties in rock art research, interpreting data against claims of subjectivity
KW - Diverse Aboriginal responses, with pre-contact art than that in isolation
KW - Indigenous people, observations of outsiders, mediating within the cross-cultural
KW - Persistent motifs in colonial Australia, effects on contact art/archaeology
KW - Rock art, its mediating role, discerning processes of "contact " in images
KW - Specific assemblage, distances sociocultural traversed in making of rock art
KW - Watarrka, contact rock art, charting the vocabulary, variability of the graphic
KW - Worlds Colliding Quietly, rock art and mediation, multi-vocality of the Indigenous
UR - http://www.scopus.com/inward/record.url?scp=84887162657&partnerID=8YFLogxK
U2 - 10.1002/9781118253892.ch23
DO - 10.1002/9781118253892.ch23
M3 - Chapter
SN - 9781444334241
SP - 399
EP - 419
BT - A Companion to Rock Art
PB - John Wiley and Sons
ER -